Your brand sounds like you.
That's the problem.

Now booking Q2 & Q3 2026 Hilversum, NL Working worldwide
Est. 2023

You're the voice of the company. Which means every video has to be you. Which means there are two videos a month, because that's all the time you have.

Send a quick email
— Or keep scrolling. We'll explain. —
The fix / What we do

We film you
once.

One afternoon. A few hundred lines of script, a few hours of camera time. Enough that we can recreate your voice, your face, your phrasing afterwards.

After that, every video is you — without you. Scripts come together with your team, with ours, or both. Videos ship within the day they're written.

You stop being the bottleneck. Your brand stops being two videos a month.

After / What changes

What stops being impossible.

01
More creative variants, faster turnaround.
Five hook variants by Tuesday, the four that don't work killed by Friday, the one that does scaled into the week after. The kind of testing cadence that's impossible when the founder has to film every version.
02
Launch days that don't take a week to set up.
Product drops Monday. Launch video, FAQ series, and ad variants all live the same day. No shoot to schedule. No founder to wait on.
03
Markets you haven't been able to serve.
Same voice, same face, same brand — in German, French, Dutch, whatever you sell in. One script becomes a dozen videos without a casting call or a translator.
04
Content that ships the day it's briefed.
The idea you had at 11pm gets briefed in the morning and shows up as a finished video by lunch. No production calendar, no studio booking, no waiting for the founder's window to open up next month.
The honest part

This doesn't work
for everything.

Where it works
  • Short-form paid social — where this works best
  • Product explainers, FAQs, launch announcements
  • Founder-led content where the founder doesn't want to film
  • Ad localization across multiple markets
  • Anything where you need a lot of videos, not one perfect one
Process / How we work

One afternoon of yours.
The rest is on us.

The work splits cleanly into three stages. Only the first one needs you in the room. After that, your team writes scripts and ours produces videos — you become a reviewer, not a participant.
01
Day one

The one afternoon we need you

We film a structured recording session — your office, your home, wherever you're comfortable. A camera, a teleprompter, a few hours of scripted lines covering the range of tone we'll need later. This is the last time we'll ask you to be on camera for the brand. Everything we make afterwards is built on this session.

02
Week 2

Where the work moves to our side

We train the model, generate a first batch of test videos, and walk through them with you. This is where we tune it. You tell us what sounds like you and what doesn't. We adjust the model, the pacing, the camera framing — until someone on your team watches a clip and forgets it's not a real shoot.

03
Ongoing

How it runs from there

Scripts come in — written by your team, drafted by ours, or both. We produce, edit, caption, and deliver in every aspect ratio you need. Most clients move from approving every video to a weekly check-in inside the first month. The model is yours. The source files are yours.

The stuff you're actually worried about

What every
founder asks first.

What you read is what we'd say. Same caveats too.
What if I hate the result? +
The training session is your out. If the model doesn't sound right — wrong rhythm, wrong energy, doesn't feel like you on a good day — we adjust or we walk away from the project. We don't ship a model you're not signed off on. No payment due until you approve the likeness.
Will viewers know it's AI? +
In short-form paid social, the answer is usually no. In longer-form or close-up work, the answer is usually yes. We pick formats where the tech genuinely works — and we'll tell you when a real shoot is the right call. The honest part section above is what we'd say to your face on a call.
Who writes the scripts? +
Whoever's best placed to. Some clients have a copywriter and a strong opinion on voice — they write, we produce. Others want us to draft from a brief and they review. We work either way, and most engagements end up as a mix. What we ask for either way: a tone guide, a few examples of writing you'd want to sound like, and someone on your side who can approve.
Who owns the likeness? +
You do. The likeness is licensed to your brand, not to us. If you end the engagement, we delete the model and the training data. The contract spells out what we can and can't do with it — short version: nothing without your written sign-off.
Talk to us

30 minutes
Tell us about your bottleneck

Free · 30 minutes We'll tell you whether
this fits or it doesn't